As a Music Learning Theory Practitioner, I am always looking for ways to include songs in different tonalities and meters in my instruction. This includes my choir too! Over the years, I’ve collected a list of songs that use a variety of tonalities and meters. Here are some of my favorites!
Dorian Songs
- Allie, Call the Birds in by Cyndee Giebler is a beautiful song that has Orff parts as well. This is a gorgeous piece and is accessible for young choirs. It’s arranged for SA voices.
- February Twilight by S. Gryc is based on a poem about winter. The song is arranged for unison or two-part voices.
- In the Dark of December by Lon Beery is about the keeping hope during the dreary days of winter. It’s arranged for two voices.
- Old Carrion Crow by Mary Goetze is an arrangement of a folk song from Nova Scotia. My choirs have loved performing this simple tune in Dorian. It is arranged two-part or unison voices.
- The Barn Owl by Adam Mitchell is great for young choirs. All about the day of a barn owl, it uses call & response, and tempo changes. It’s arranged for two-voices.
Mixolydian Songs
- Hold the Wind by Mary Goetze is a simple melody sung from the perspective of a blacksmith. This song is arranged for SSA voices.
- Seasons by Betty Bertaux is a unison piece written for elementary voices. The text is all about the four seasons.
- Wishing Star by Beth Bolton, arranged by Laura Farnell is a beautiful tune! I’ve taught this tune for 20+ years in my early childhood classes and now my choir students sing it too!
Multitonal or Collections
- Little Tree by Denise Ondishko uses text by e.e. cummings. The song about is about the feelings of a child towards their Christmas tree. Written in Mixolydian and Aeolian, this is arranged for SATB choir.
- London Bridge by N. Page is written in Major, Minor, and Lydian tonalities. It is arranged for SA voices.
- Songs of Youth by David Montoya is a collection of 6 songs exploring Dorian, Mixolydian, Aeolian, Phyrgian, Lydian, and Major tonalities. This is an arrangement for SA voices.
Unusual Meters
- Banbury Cross by James DesJardins is based on the traditional nursery rhymes but uses unusual paired (5/8) meter. This is arranged for two-part choirs.
- The Sailor by James Desjardins is written in Mixolydian and unusual meter! This song is written for two voices. I’ve not taught this song before, but I do know James DesJardins work! I just put it in my “cart” for my own choir!
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I love Hamisha Asar by Flory Jagoda (arr Nick Page). Uneven unpaired, and in a mode that’s not one we tend to sing in MLT–it’s Phrygian Dominant (sometimes called Spanish Phrygian). It’s lowered second, major third. 😉